![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
Entry tags:
[318] save that money for a rainy day for the sake of future days
Quiet day. Sunny and nice. Yoga and comic books and snuggling with Bub. Mom's making tacos later. Sunday already, and the coming work week feels a bit like a noose slowly starting to tighten, but for now, things are good.
Wikipedia Sez: Future Days is the fourth studio album by the German experimental rock group Can, released in 1973. It was the last Can album to feature Japanese vocalist Damo Suzuki, and sees the band exploring a more atmospheric sound than their previous releases.
Genre: Pop/Rock, Avant-Garde
Styles: Alternative/Indie Rock, Art Rock, Experimental, Experimental Electronic, Experimental Rock, Kraut Rock, Alternative Pop/Rock
Release Date: August 1st, 1973
Prior Familiarity: None.
What I Did While Listening: Got in a nice, solid run before we headed out to the theatre yesterday.
Verdict: Pretty boring, honestly! Bit of a letdown since I got it the day after I got another album from the '70s* that starts with the letter F and is by a band with only three letters in their name, since that one was much better! I was hopeful, since I like German electronic shit and this was a tight forty minutes long, but then it's all just chill ambient vibes and completely incomprehensible singing for the duration. Go on, give me nothing! It's not BAD, like... it sounded really nice in places, and the consistent, steady beats made for good running music, at least, but it almost never made my neurons fire in any particularly interesting ways.
*and can I just say, jesus fucking christ? Eight of the ten albums I've pulled this month have been from the years 1970 to 1976, this is fucking ridiculous OTHER DECADES EXIST, 1001 ALBUMS GENERATOR.
Favourite Song: Moonshake: three minutes of actual fun 'look at all the stupid percussion instruments we have!' bullshit in amongst all the nothing.
Leshia's Rating: ⭐⭐⭐
Wikipedia Sez: Future Days is the fourth studio album by the German experimental rock group Can, released in 1973. It was the last Can album to feature Japanese vocalist Damo Suzuki, and sees the band exploring a more atmospheric sound than their previous releases.
Genre: Pop/Rock, Avant-Garde
Styles: Alternative/Indie Rock, Art Rock, Experimental, Experimental Electronic, Experimental Rock, Kraut Rock, Alternative Pop/Rock
Release Date: August 1st, 1973
Prior Familiarity: None.
What I Did While Listening: Got in a nice, solid run before we headed out to the theatre yesterday.
Verdict: Pretty boring, honestly! Bit of a letdown since I got it the day after I got another album from the '70s* that starts with the letter F and is by a band with only three letters in their name, since that one was much better! I was hopeful, since I like German electronic shit and this was a tight forty minutes long, but then it's all just chill ambient vibes and completely incomprehensible singing for the duration. Go on, give me nothing! It's not BAD, like... it sounded really nice in places, and the consistent, steady beats made for good running music, at least, but it almost never made my neurons fire in any particularly interesting ways.
*and can I just say, jesus fucking christ? Eight of the ten albums I've pulled this month have been from the years 1970 to 1976, this is fucking ridiculous OTHER DECADES EXIST, 1001 ALBUMS GENERATOR.
Favourite Song: Moonshake: three minutes of actual fun 'look at all the stupid percussion instruments we have!' bullshit in amongst all the nothing.
Leshia's Rating: ⭐⭐⭐
Watched 02/17/24: Africans with Mainframes (2023), Pioneer (2011), The Pit Where We Were Born (2018), Surviving Desire (1992), The Legend of Vox Machina 2x09, STARDOM Supreme Fight 2024, TNA iMPACT! #1021